Sean McFarland — Viewshed — installation view
Exhibitions/Sean McFarland

Sean McFarland

Viewshed
Eli Ridgway Gallery, San Francisco · March 12 – April 16, 2011

Eli Ridgway Gallery is pleased to present Viewshed, a solo exhibition by Sean McFarland. Through a disciplined studio practice using unconventional modes of photography, McFarland investigates the not-so-often-seen vantage points of the Western landscape. The exhibition gathers color photographs, black-and-white Polaroids, and graphite drawings into a seemingly humble presentation that unfolds into monumental imagery, challenging how we understand both the environment and the photographic medium.

At the center of the show is McFarland's Dark Pictures — nearly black C-prints whose surfaces slowly dissipate as fragments of light reveal dense canopies of foliage opening onto uncharted voids. Most of these landscapes exist because of human conservation: city parks, open spaces, and gardens maintained as the representation of the natural. Like the word landscape, a viewshed is a screen that conceals what one does not want the eye to see. Alongside the photographs are the modest black-and-white Polaroids of Pictures of the Earth and a group of new graphite-on-paper drawings, each questioning how we picture, possess, and trust the land.

WorksClick to enlarge
Photographs
Untitled (exit)
Untitled (exit)
2010 · C-print · 30 × 36 in · edition of 3
Untitled (wall of plants)
Untitled (wall of plants)
2010 · C-print · 30 × 36 in · edition of 3
Untitled (rock, hillside)
Untitled (rock, hillside)
2011 · C-print · 30 × 45 in · edition of 3
Untitled (blind creek)
Untitled (blind creek)
2011 · C-print · 30 × 45 in · edition of 3
Untitled (forest)
Untitled (forest)
2010 · C-print · edition of 3
Untitled (creek, portrait)
Untitled (creek, portrait)
2011 · C-print · 45 × 30 in · edition of 3
Untitled (mt. davidson)
Untitled (mt. davidson)
2010 · C-print · 30 × 36 in · edition of 3
Pictures of the Earth
Clouds and Sea
Clouds and Sea
2011 · Polaroid · 3¼ × 4¼ in · edition of 3
Mine and Natural Bridge
Mine and Natural Bridge
2010 · Polaroid · 3¼ × 4¼ in · edition of 3
Knickpoint (negative)
Knickpoint (negative)
2010 · Polaroid · 3¼ × 4¼ in · edition of 3
Basin
Basin
2010 · Polaroid · 3¼ × 4¼ in · edition of 3
Forest (negative)
Forest (negative)
2011 · Polaroid · 3¼ × 4¼ in · edition of 3
White Tree
White Tree
2010 · Polaroid · 3¼ × 4¼ in · edition of 3
Plains (rain on lens)
Plains (rain on lens)
2011 · Polaroid, diptych · 3¼ × 4¼ in · edition of 3
Rock Flow
Rock Flow
2011 · Polaroid · 3¼ × 4¼ in · edition of 3
Hills
Hills
2010 · Polaroid · 3¼ × 4¼ in · unique
Cutbank (young river)
Cutbank (young river)
2010 · Polaroid · 3¼ × 4¼ in · unique
Avalanche
Avalanche
2011 · Polaroid · 3¼ × 4¼ in · edition of 3
Wave
Wave
2009 · Polaroid · 3¼ × 4¼ in · unique
Valley (gate)
Valley (gate)
2010 · Polaroid · 3¼ × 4¼ in · unique
Trees at Night
Trees at Night
2010 · Polaroid · 3¼ × 4¼ in · edition of 3
Ocean Volcano
Ocean Volcano
2010 · Polaroid · 3¼ × 4¼ in · edition of 3
Waterfall
Waterfall
2009 · Polaroid · 3¼ × 4¼ in · edition of 3
Two Seas
Two Seas
2010 · Polaroid · 3¼ × 4¼ in · edition of 3
River Valley (ribbon)
River Valley (ribbon)
2011 · Polaroid · 3¼ × 4¼ in · edition of 3
One Mountain
One Mountain
2010 · Polaroid · 3¼ × 4¼ in · edition of 3
Lightning
Lightning
2009 · Polaroid · 3¼ × 4¼ in · edition of 3
Divided Land
Divided Land
2010 · Polaroid · 3¼ × 4¼ in · edition of 3
Black Sea
Black Sea
2011 · Polaroid · 3¼ × 4¼ in · edition of 3
Drawings
Entrance
Entrance
2010 · Graphite on paper · 10 × 8 in
River (negative)
River (negative)
2011 · Graphite on paper · 8 × 10 in
Canyon (negative)
Canyon (negative)
2011 · Graphite on paper · 8 × 10 in
Dark Hill (negative)
Dark Hill (negative)
2011 · Graphite on paper · 8 × 10 in
Range (negative)
Range (negative)
2011 · Graphite on paper · 8 × 10 in
Falls (negative)
Falls (negative)
2011 · Graphite on paper · 8 × 10 in
Waves (negative)
Waves (negative)
2011 · Graphite on paper · 8 × 10 in
Press
“McFarland's fantastical landscapes upend our perception of reality and challenge the authority of the photograph.”
Lisa Sutcliffe · Assistant Curator of Photography, SFMOMA · 2011