Matthew Palladino — Sweet Relief, installation view, Eli Ridgway Gallery, San Francisco, 2012
Exhibitions/2012/Sweet Relief

Sweet Relief

Matthew Palladino
Eli Ridgway Gallery, San Francisco · February 11 – March 10, 2012

Eli Ridgway Gallery is pleased to present Sweet Relief, an exhibition of new works by Matthew Palladino — his newest and largest to date. Palladino uses sculptural relief to create painted objects that defy easy narrative understanding and categorization. Enamel-coated plaster casts are pulled from commercial chocolate molds of nude figures, fruits, and assorted domestic objects. Both pre-fabricated and meticulously hand-made, these reliefs make visual reference to his paintings but extend literally into three dimensions.

His deadpan reproduction of banal objects — made twice functionless, removed by two degrees of separation from their original state as "familiar things" — sustains the dark humor that runs through all his work. Because the molds are made specifically for chocolate-making, for objects meant to be eaten, the resulting casts also function as a playful critique of the tenuous relationship between the artist as producer and the viewer or collector as consumer. Drawing on the interplay between high and low cultural production, Sweet Relief explores the histories of the ready-made and the hand-made, the naive and the sophisticated, painting and sculpture, and the infinite potential in between.

Works in the exhibitionClick to enlarge
Ball Pit
Ball Pit
Enamel and plaster on panel · 48 × 36 in · 2012
Ball Pit, detail
Ball Pit (detail)
Bounce House
Bounce House
Enamel and plaster on panel · 2 panels, 40 × 30 in each · 2012
Droogs
Droogs
Enamel and plaster on panel · 30 × 20 × 2¼ in · 2011
First Try / Second Try
First Try / Second Try
Enamel and plaster on panel · 2 panels, 30 × 24 in each · 2012
In the Night
In the Night
Enamel and plaster on panel · 48 × 36 in · 2012
In the Night, detail
In the Night (detail)
Planes
Planes
Enamel and plaster on panel · 2 panels, 30 × 30 in each · 2012
The Door
The Door
Enamel and plaster on panel · 2 panels, 30 × 40 in each · 2012
The Rape of Daughters of Leucippus
The Rape of Daughters of Leucippus
Enamel and plaster on panel · 40 × 30 in · 2012
The Rape of Daughters of Leucippus, detail
The Rape of Daughters of Leucippus (detail)
The Room (Lights On / Lights Off)
The Room (Lights On / Lights Off)
Enamel and plaster on panel · 2 panels, 24 × 30 in each · 2012
Installation viewsEli Ridgway Gallery, San Francisco
Matthew Palladino — Sweet Relief, installation view Matthew Palladino — Sweet Relief, installation view Matthew Palladino — Sweet Relief, installation view Matthew Palladino — Sweet Relief, installation view Matthew Palladino — Sweet Relief, installation view Matthew Palladino — Sweet Relief, installation view Matthew Palladino — Sweet Relief, installation view Matthew Palladino — Sweet Relief, installation view Matthew Palladino — Sweet Relief, installation view (Ball Pit) Matthew Palladino — Sweet Relief, installation view (Bounce House)