Andy Vogt — Submerged on the Surface — installation view
Exhibitions/Andy Vogt

Andy Vogt

Submerged on the Surface
Eli Ridgway Gallery, San Francisco · May 11 – June 22, 2013

Eli Ridgway Gallery is pleased to present the gallery's first solo exhibition by Andy Vogt, Submerged on the Surface.

Based on the sculptural potential of lumberyard detritus and repurposed rough-cut Douglas Fir lath, Vogt uses additive and reductive approaches to delineate the facets of raw material. His vision of well-worn, structural demise finds a language in the crisp edges and broken off-cuts of discarded plywood and lath and their shadows.

The artist will transform the gallery space producing a mixture of site-specific installation, sculpture and drawing using his found palette of materials. Here, shadows become plans for sculptures and edges of lath emerge as a drawing medium in works that blur the ephemeral and permanent.

"Vogt's lath works combine the dumpster and blueprint, the geological and the architectural, merging manmade and natural environments." — DeWitt Cheng

Vogt earned a BFA in Intermedia, focusing on time-based media, performance and installation, from Carnegie Mellon University. He has exhibited numerous times in the Bay Area, including at The Museum of Craft and Design, San Francisco Arts Commission, Southern Exposure, Headlands Center for the Arts, San Francisco State University, UC Davis Memorial Union Art Gallery, and The Luggage Store. Andy Vogt lives and works in San Francisco, CA.

WorksClick to enlarge
Walls
Walls
2013 · Paint on wood · 28 × 81 in
Edge Banded
Edge Banded
2013 · Melamine, plaster and pigment on wood · 15 × 11.625 in
OSB (original strong block)
OSB (original strong block)
2013 · Oriented strand board, acrylic paint · 23 × 19.5 × 1.5 in
Wedge
Wedge
2013 · Salvaged wood · 40 × 96 × 120 in
Altered Mirror
Altered Mirror
2013 · Mirrored Plexiglas, ellipsoidal spotlight · 11 × 6 in (mirror), 24 × 64 in (light)
Forming in the Wall
Forming in the Wall
2013 · Melamine, plaster and graphite powder on wood · 14.625 × 7.875 in
Submerged on the Surface
Submerged on the Surface
2013 · Steel, plaster and graphite powder on wood · 13.25 × 9.875 in
Partial Excavation
Partial Excavation
2013 · Melamine, plaster and pigment on wood · 16.75 × 12 in
Line Field
Line Field
2013 · Steel, plaster and graphite powder on wood · 10.5 × 7.5 in
Corner Work
Corner Work
2013 · Melamine, plaster and graphite powder on wood · 9.75 × 7.75 in
Drained
Drained
2013 · Salvaged wood · 64.5 × 145.5 in
OSB (outer surface broken)
OSB (outer surface broken)
2013 · Oriented strand board, acrylic paint · 20.75 × 19.5 × 1.5 in
Light Study 1
Light Study 1
2013 · Salvaged wood · 16 × 16 in
Visible Spectrum
Visible Spectrum
2013 · Salvaged wood · 52 × 29 in (diameter)
Shadeshape 3
Shadeshape 3
2012 · Salvaged wood · 67 × 34 in
OSB (over sideways back)
OSB (over sideways back)
2013 · Oriented strand board, acrylic paint · 17.5 × 21.75 in
Boundary Lines
Boundary Lines
2012 · Acrylic on plywood · 42 × 37.25 in
Light Study 2
Light Study 2
2013 · Salvaged wood · 14 × 21 in
Installation viewsEli Ridgway Gallery, 2013
Andy Vogt — Submerged on the Surface — installation view Andy Vogt — Submerged on the Surface — installation view Andy Vogt — Submerged on the Surface — installation view Andy Vogt — Submerged on the Surface — installation view Andy Vogt — Submerged on the Surface — installation view Andy Vogt — Submerged on the Surface — installation view Andy Vogt — Submerged on the Surface — installation view Andy Vogt — Submerged on the Surface — installation view Andy Vogt — Submerged on the Surface — installation view Andy Vogt — Submerged on the Surface — installation view Andy Vogt — Submerged on the Surface — installation view Andy Vogt — Submerged on the Surface — installation view Andy Vogt — Submerged on the Surface — installation view Andy Vogt — Submerged on the Surface — installation view Andy Vogt — Submerged on the Surface — installation view Andy Vogt — Submerged on the Surface — installation view Andy Vogt — Submerged on the Surface — installation view Andy Vogt — Submerged on the Surface — installation view
Press
“Vogt looks for ways to maximize tension in his work between manifest simplicity and complexity of experience: just try describing what you see happening in any one of them.”
Kenneth Baker · San Francisco Chronicle · 2013