Born: 1974, Australia
Lives: Sidney

EDUCATION

  • 2006
  • Completed MFA California Institute of the Arts (CalArts) LA, USA
  • 1998
  • University of Lapland, School of Art And Design, Polar Circuit 2 (Media Conference and Workshops), Finland
  • 1998
  • Bachelor of Visual Arts, Sydney College of the Arts, University of Sydney, Australia

 

SOLO EXHIBITIONS

  • 2009
  • Baer Ridgway Exhibitions, San Francisco, CA
  • 2008
  • Galerie Davide Gallo, Berlin
  • 2007
  • Fantasists in the age of Decadence, Roslyn Oxley9 Gallery, Sydney
  • 2006
  • TV Moore: thesis exhibition, A 402, Los Angeles, USA
  • APOCATOPIA (VOL 1), Roslyn Oxley9 Gallery, Sydney
  • 2005
  • Across the Universe, Roslyn Oxley9 Gallery, Marshall Street, Surry Hills, Sydney
  • Keep your friends close and your enemies even closer, CalArts, California, USA
  • 2004
  • The Dead Zone, Roslyn Oxley9 Gallery, Sydney
  • The Neddy Project, Artspace, Sydney
  • Smoke `n' Mirrors, Gertrude Contemporary Art Spaces, Melbourne, Australia
  • Concrete 000, Experimental Art Foundation, Adelaide, Australia (with Shaun Gladwell)
  • 2003
  • The Neddy Project, (screening and lecture), National Museum of Australia, Canberra, Australia
  • 2001
  • The Brian Monologues, Imperial Slacks, Sydney
  • 2000
  • Urban Army Man, Artspace, Sydney
  • Talking Trash with Olsie, Performance Space, Sydney
  • Sound Matters, Grey Matter Contemporary Art Gallery, Sydney
  • Urban Songs And Videos, Canberra Contemporary Art Space
  • Video Sweet Video, 132 Gallery, Sydney

 

GROUP EXHIBITIONS

  • 2009
  • Double Take, Art Gallery of New South Wales, Sidney
  • 2008
  • Revolutions - Forms That Turn, Biennale of Sydney, Sydney, plus online venue
  • Ready, Set, Go!, Baer Ridgway Exhibitions, San Francisco, CA
  • Reality Testing, LACE, Los Angeles Contemporary Exhibitions
  • Man, Penrith Regional Gallery
  • Busan Biennale, Sea Festival, Korea
  • Modern Times, Powerhouse Museum, Sydney
  • Lost and Found: An Archeology of the Present, TarraWarra Biennale, TarraWarra Museum of Art
  • Revolving Doors an exhibition in memory of Blair Trethowan, Uplands Gallery, Melbourne
  • 2007
  • RE:STAGED WORKS, Lake Macquarie City Art Gallery, Booragul NSW (upcoming)
  • Group Show, Shoshana Wayne Gallery, Santa Monica, USA
  • Down Under: Contemporary Art from Australia and The Netherlands, The Hague, The Netherlands
  • WAVEfront, Tokyo Wondersite, Tokyo, Japan
  • 2006
  • Video Nightmare, Raid Projects, Los Angeles, USA
  • Basel Art Fair, ART/FILM, curated by Benjamin Well, Basel, Switzerland
  • Yours, Mine & Ours: 50 years of ABC TV, Campbelltown Arts Centre, Campbelltown
  • High Tide: Currents in Contemporary Australian Art, Zacheta National Gallery of Art, Warsaw, Poland and Contemporary Art Centre, Vilnius, Lithuania
  • 2005
  • T1: The Pantagruel Syndrome, Turin Triennale, co-curated by Francesco Bonami and Carolyn Christov-Bakargiev, Castello di Rivoli Museo d'Arte Contemporanea, GAM Galleria Civica d'Arte Moderna e Contemporanea di Torino and the Fondazione Sandretto Re Rebaudengo, Turin, Italy
  • MCA Collection: New Acquisitions in Context, Museum of Contemporary Art, Sydney
  • No Mans Land, Shoshana Wayne Gallery, Santa Monica, USA
  • Slow Rushes - Takes on the documentary sensibility in moving images from around Asia and the Pacific, curated by Rhana Devenport, Artspace, Auckland New Zealand (toured from Contemporary Art Centre, Vilnius, Lithuania)
  • I thought I knew but I was wrong, curated by Alexie Glass and Sarah Tutton, Ssamzie Space, Seoul, South Korea (Asialink/ACMI touring exhibition)
  • Osaka Art Kaleidoscope '05, Contemporary Art Space Osaka, Osaka, Japan
  • 2004
  • Slow Rushes - Takes on the documentary sensibility in moving images from around Asia and the Pacific, curated by
  • Rhana Devenport, Contemporary Art Centre, Vilnius, Lithuania
  • Highly Commended, 2004 Helen Lempriere Travelling Art Scholarship, Artspace,
  • Day of the Dead, CalArts, Main Gallery, Los Angeles, USA
  • The Plot Thickens: Narratives in Australian Art, A Heide Museum of Modern Art Travelling Art Exhibition, Melbourne
  • Gridlock: cities, structures, spaces, Govett-Brewster Art Gallery, Contemporary Art Museum, New Plymouth, New Zealand
  • Minus 10 Minus 2, Iaspis, Stockholm, Sweden
  • JJ Allin breaks the window, Inflight Contemporary Art, Hobart, Tasmania, Australia
  • The Plot Thickens: Narratives in Australian Art, Heide Museum of Modern Art, Melbourne
  • I thought I knew but I was wrong: New video art from Australia, an Asialink and Australian Centre for the Moving Image touring exhibition, Melbourne
  • 2003
  • Helen Lempriere Travelling Art Scholarship Exhibition, Artspace, Sydney
  • 2002
  • Helen Lempriere Travelling Art Scholarship Exhibition, Artspace, Sydney
  • Love, Casula Powerhouse, Sydney
  • Is It All Over Mad Max?, Scott Donovan Gallery, Sydney
  • Attention Span, Scots Church, Sydney
  • Video Projekt, Melbourne
  • Office Space Video, Mori Gallery, Sydney
  • 2001
  • Primavera, 10th Annual Belinda Jackson Memorial Exhibition, Museum of Contemporary Art, Sydney
  • Welcome to Junkiesville, Casula Powerhouse, Sydney
  • 2000
  • Helen Lempriere Travelling Art Scholarship Exhibition, Artspace, Sydney
  • 18 is Enough, Imperial Slacks, Sydney
  • Nostalgia for Obsolete Futures, Imperial Slacks, Sydney
  • 1997
  • Factory Sell Out Show, Heringbone Gallery, Sydney
  • The Last Show, Herringbone Gallery, Sydney
  • Video Performance, Sydney College of The Arts Gallery, Sydney
  • Audio Stretch, UTS Gallery, Sydney
  • National Student Film & Video Competition, (finalist screenings), Chauvel Cinema, Sydney
  • Factory Sell Out Show, Herringbone Gallery, Sydney
  • The Last Show, Herringbone Gallery, Sydney

 

BIBLIOGRAPHY

  • 2008
  • Andrew Frost, `TV Moore - 50 Most Collectable Artists,' Australian Art Collector, Issue 43, January - March 2008, pp166-167
  • 2007
  • Erik Jensen, `We've got vagrants, we've got explorers, we've got magic,' Sydney Morning Herald, Arts & Entertainment, August 11-12
  • T.V. Moore `Artists/TV Moore - Survivor, Artist Statement' Yours, Mine and Ours: 50 Years of ABC TV [http://www.abc.net.au/tv/yours/artists/moore.htm] (accessed 03/02/2007)
  • 2006
  • Andrew Frost, `TV Moore, 50 Most Collectable Artists', Australian Art Collector, Issue 35, January
  • - March p117
  • High Tide: new currents in art from Australia and New Zealand, exhibition catalogue,
  • Contemporary Art Centre, Vilnius and Poland, Warsaw
  • 2005
  • T1: The Pantagruel Syndrome, Turin Triennale exhibition catalogue p. 404-5
  • MCA Collection: New Acquisitions in Context, exhibition catalogue, Sydney p 11, 29
  • David Pagel, “America's status: that falling feeling,” Los Angeles Times, 26 August, Los Angeles, USA
  • Amanda Rowell, “TV Moore, Smoke `n' Mirrors (excerpt),” in A Short Ride in a Fast Machine: Gertrude Contemporary Art Spaces 1985 - 2005, ed. Charlotte Day, Gertrude Contemporary Art
  • Spaces and Black Inc. Books, Melbourne, Australia
  • Reuben Keehan, TV Moore Interview, Photofile: Contemporary Photomedia and Ideas, No. 75, August 2005, Australian Centre for Photography, Sydney, Australia, pg 16 - 21
  • Russell Storer, “Video in the expanded field: Three recent examples of Australian video installation,” Art & Australia, vol. 42 no. 4, Winter 2005, pp. 588 - 595
  • Osaka Art Kaleidoscope '05, exh, cat., Contemporary Art Space Osaka, Osaka, Japan, Japan, pp. 44-45
  • Anne Marsh, “Reviews - The Plot Thickens: Narratives in Australian Art,” photofile, No. 73, Summer 2005, p. 73
  • Andrew Best, “Moving Image Project, SALA 2004,” Photofile: Contemporary Visual Arts, no. 73, Summer, p.67
  • Monika Kaikstopaityte, “Inner Distances,” Eyeline, No 56, Summer 04-05, pg 21
  • Joanna Mendelssohn, “TV Moore,” Australian Art Collector, Issue 31, January-March, p. 95
  • Anne Marsh, “The Plot Thickens: Narratives in Australian Art,” Photofile: Contemporary Visual Arts, no. 73, Summer, p. 73
  • Glenis Israel artwise contemporary: visual arts 10-12, John Wiley & Sons, Qld. pp. 7 - 13
  • 2004
  • Peter Hill, `The Glittering Prize', Spectrum, The Sydney Morning Herald, November, p. 114
  • Lilly Wei, “Report from Sydney: South by Southeast (Commercial Venues),” Art in America, December, no.
  • 11, p.63
  • Kate Rhodes, “TV Moore: I am somewhere in the city,” Eyeline: Contemporary Visual Arts, no. 55, Spring 2004, p. 36 - 38
  • Rhana Devenport, Slow Rushes - Takes on the documentary sensibility in moving images from around Asia and the Pacific, exh. cat., Contemporary Art Centre, Vilnius, Lithuania
  • Fergus Armstrong, `TV Moore's Long Takes', Art and Australia, vol. 42, no. 1, Spring 2004, p. 80 - 83
  • Anne-Marie Lopez, “Moore than movies,” Australian Art Review, Issue 5, July - October, p. 32, 33
  • Amanda Rowell, Smoke n' Mirrors, exh. cat., Gertrude Contemporary Art Spaces, Melbourne
  • The Dead Zone,' The Art Life, http://artlife.blogspot.com/, 11 June
  • Sunanda Creagh, “Spotlight: Running Man,” Sydney Morning Herald (Metropolitan), May 27, p. 19
  • Fergus Armstrong, `TV Moore's Skeuomorphic Long Takes', TV Moore, (exh. cat.) Experimental Art Foundation, Adelaide
  • `The Unified Theory of Getness: Part 3,' The Art Life, http://artlife.blogspot.com/, March 17, 2004
  • Ed. Annette Larkin, `Artists of the 21st Millennium', Australian Art Market Report, Issue 11, Autumn, p. 21
  • Peter Hill, `Tale of two Neds', Sydney Morning Herald, March 20-21, pp. 8-9
  • Dominique Angeloro, `Whoa, Neddies, Sydney Morning Herald, March 19, p. 26
  • 2003
  • Ken Bolton, The 2004 Anne & Gordon Samstag International Visual Arts Scholarship, University of South Australia, Adelaide
  • TV Moore', Realtime, October/November
  • 2002
  • `TV Moore', Oyster Magazine, December
  • 2001
  • Tanya Peterson, `serial 7's: TV Moore, Alex Kershaw, Shay Launder, the Kingpins, Astrid Speilman, Andrew Liversidge, Shaun Gladwell,' Eyeline: Contemporary Visual Arts, Issue 47, Summer 2001/2002
  • Benjamin Genocchio, `Primavera 2001', (review) The Australian, September
  • Gail Hasting, `TV Moore', Primavera 10, (exh. cat.) Museum of Contemporary Art, Sydney
  • Anne Loxley, `Blind spots that make the mind work', (review) Sydney Morning Herald, September
  • 2000
  • Shaun Gladwell, `TV Moore - Urban Songs and Videos', exh. cat., Canberra Contemporary Art
  • Space
  • Richard Grayson, TV Moore - Urban Army Man, exh. cat., Artspace, Sydney
  • Bruce James, Nostalgia For Obsolete Futures, (radio review), ABC Radio, Australia
  • Courtney Kidd, Helen Lempriere Travelling Art Scholarship exhibition (review), Sydney Morning
  • Herald
  • Sharon Verghis, Sydney Morning Herald, 3 September

 

SCHOLARSHIPS AND AWARDS

  • 2009
  • Anne Landa Award for Video and New Media Arts, Art Gallery of New South Wales, Sidney
  • 2006
  • Australia Council for the Arts, New Work Grant
  • 2005
  • Montalvo Fellowship USA, Sally and Don Lucas Artists Program, Montalvo Arts Centre, USA
  • 2003
  • The Anne & Gordon Samstag International Visual Arts Scholarship
  • Helen Lempriere Travelling Art Scholarship (highly commended)
  • NAVA Marketing Fund
  • 2002
  • Helen Lempriere Travelling Art Scholarship (highly commended)
  • 2001-2003
  • Australia Council for The Arts, New Work Grant (emerging)
  • 2000
  • Helen Lempriere Travelling Art Scholarship (highly commended)
  • 1998
  • The Australia Network for Art & Technology Conference Grant, to attend Polarcircuit at the University of Lapland, Tornio, Finland
  • Australian National Student Film and Video Competition (finalist)
  • 1996
  • Jerome de Costa Memorial Award, Sydney College of The Arts
  • 1995
  • White Glove Film Festival, Melbourne (finalist)

 

COLLECTIONS

  • Museum of Contemporary Art, Sydney
  • Austcorp, Sydney
  • Goldman Sachs JBWere
  • Private collections: Australia